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Made in Korea Review: Stylish Crime, Dirty Power Plays

  • Writer: Niels Gys
    Niels Gys
  • Dec 25, 2025
  • 4 min read

TL;DR

It’s a stylish, amoral power trip where everyone lies, the suits cost more than your car, and rooting for the bad guy feels correct.


Made in Korea is slick, cynical, and comfortably immoral. It doesn’t reinvent crime TV, but it executes the classics with confidence, style, and a complete lack of interest in pleasing saints. Not perfect. Not boring. And very easy to enjoy while judging everyone on screen.


If this is your kind of poison, you’ll also want to lurk around our CRIME and VILLAIN hubs on CRIMENET Gazette. Same attitude. Fewer alibis.


Watching Made in Korea without the right atmosphere is like robbing a bank in Crocs.


Light a Whiskey River Tobacco Scented Candle on Amazon, pour something irresponsible, and let corruption smell expensive. Because if you’re going to root for criminals, at least do it with ambiance.



Criminal Fantasy Fulfillment: Finally, Adults Behaving Badly

Made in Korea understands a sacred truth modern TV keeps forgetting: we don’t tune in to be lectured.


We tune in to watch ambitious men do terrible things with confidence. This show hands you a front-row seat to corruption and says, “Relax. Enjoy it.”And you do. Immediately. The cops posture. The moralizers huff. Meanwhile, the criminals glide through rooms like they own the oxygen. CRIMENET-approved behavior.



Plot & Pacing: A Heist Engine That Rarely Stalls

This isn’t one of those prestige dramas where three episodes pass and nothing happens except staring and sighing. Things move. Deals are made. Betrayals are scheduled. Power shifts like furniture in a cheap Airbnb. Yes, it takes its time. But it’s the confident kind of slow, not the “we ran out of story but Netflix gave us eight episodes” slow.



Characters & Performances: Charisma With a Body Count

Hyun Bin doesn’t play his character; he wears him. Calm. Dangerous. The kind of man who could poison you and apologize for the inconvenience. Opposite him is the walking embodiment of righteousness, which is useful, because someone has to be there to be outplayed. Over and over. Nobody here is clean. Some are just better dressed.



Dialogue & Writing: Sharp Enough to Draw Blood

The writing doesn’t scream for attention. It doesn’t need to. Conversations crackle with subtext, threat, and the occasional verbal slap. No inspirational speeches. No TED Talks about justice. Just people lying professionally and doing it well.



World & Atmosphere: A Decade That Smelled Like Cigarettes and Fear

The 1970s setting isn’t cosplay. It’s grime. Political paranoia, institutional rot, and ambition sweating through every scene. It feels lived-in. Dangerous. Like someone might disappear if they ask the wrong question. Good. That’s how crime stories should feel.


If these characters inspire you to feel powerful, dangerous, and morally flexible, congratulations.


Now complete the look with SOJOS Retro Square Sunglasses from Amazon.


They make you look like you know secrets, owe people money, and absolutely did not fill in that expense report honestly.



Direction & Style: Confident, Controlled, Occasionally Smug

The camera knows exactly where to stand and when to shut up. Tension is allowed to breathe. Violence isn’t fetishized, but it’s never polite either. It’s stylish without posing in the mirror too long. Mostly.



Soundtrack & Mood: Smooth Jazz for Bad Decisions

The music hums underneath like a bad idea forming in your head. Smoky. Cool. Slightly menacing. You won’t hum it in the shower, but you’ll feel it when a deal goes wrong.



Morality & Madness: Ethics Thrown Out the Window

If you’re looking for a firm moral compass, you’ve come to the wrong bar. This show doesn’t ask whether these people are good. It asks whether they’re effective. And then rewards them accordingly. Cops are obstacles. Virtue is optional. Power is everything. CRIMENET salutes.



Rewatchability & Bingeworthiness: One More Episode Syndrome

This is dangerous television. You say “one more episode” and suddenly it’s light outside again. It rewards attention. It punishes multitasking. And it absolutely improves when you watch it like a criminal, not a critic.



Series Longevity: Built to Go Long

This isn’t a one-season curiosity. The foundations are solid. The ambitions are big. If future seasons don’t lose their nerve, this could age into something properly notorious.


You’ve just binged a series about power, paranoia, and men who trust nobody.


Reward yourself with “The Art of War” by Sun Tzu (Deluxe Edition) on Amazon.


It won’t make you smarter, but it will make you nod silently while judging everyone else in the room.


FAQ

Is Made in Korea worth watching? Yes. Especially if you enjoy power, corruption, and people who shouldn’t be trusted being very good at their jobs.
Is it slow? Only if you think tension should explode every five minutes like a microwave meal.
Is it preachy? No. Morality gets a seatbelt and is told to stay quiet.
Do the criminals steal the show? Completely. The law mostly exists to be outmaneuvered.
Will there be more seasons? Almost certainly. This thing didn’t show up just to say hello.
Is this CRIMENET material? Absolutely. Lock the door. Dim the lights. Root for the wrong people.

 
 
 

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About Me
WhatsApp Image 2025-08-19 at 04.27.47.jpeg

I’m Niels Gys. Writer, gamer, and professional defender of fictional criminals. On screen only. Relax. I front JETBLACK SMILE, a rock ’n’ roll band from Belgium that sounds like bad decisions set to loud guitars. Turns out the mindset for writing about crime, chaos, and villain energy translates surprisingly well to music.

Here I run CRIMENET GAZETTE, a site dedicated to crime, heist, and villain-protagonist games, movies, and series. Not the wholesome kind. Not the heroic kind. The kind where you rob banks, make bad decisions, and enjoy every second of it.

CRIMENET exists because too much coverage is polite, bloodless, and terrified of having an opinion. Here, villains matter. Criminal fantasies are taken seriously. And mediocrity gets mocked without mercy.

I don’t do safe scores or corporate enthusiasm. I do sharp analysis, savage humor, and verdicts that feel like charge sheets. If something nails the fantasy of being dangerous, clever, or morally questionable, I’ll praise it. If it wastes your time, I’ll bury it.

CRIMENET isn’t neutral. It sides with chaos, competence, and fun.
Think less “trusted reviewer,” more “your inside man in the digital underworld.”

I’m not here to save the world.


I’m here to tell you which crimes are worth committing. 🤘

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