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The Hunting Party Season 2 Review: Loud, Fast & Lawless

  • Writer: Niels Gys
    Niels Gys
  • 5 days ago
  • 4 min read

TL;DR

A crime show where the criminals are fascinating, the cops are exhausting, and reality has officially resigned.


The Hunting Party Season 2 is not smart television. It is confident television.


It runs on adrenaline, clichés, and the unshakable belief that intensity equals depth. And somehow, against all odds and common sense, it works just enough to keep you watching.


You won’t admire it. You won’t learn from it.But you will absolutely finish the season.

And that, annoyingly, is the real crime.


Before we go any further: if you’re about to binge The Hunting Party, you’ll need stamina, cynicism, and something to squeeze when the plot collapses. Stress Relief Squeeze Balls (Set of 3) – for every time the team “breaks protocol.”


A Show That Pretends It’s About Justice but Accidentally Cheers for Chaos

Let’s get this straight. The Hunting Party wants you to root for the badge. It begs you to. Stirring music, slow-motion walks, speeches about duty. And yet, every time another serial killer escapes, the show lights up like Christmas.


Because chaos is fun. Order is paperwork.


Season 2 doubles down on the core fantasy: the system failed so badly that the most dangerous people alive are roaming free, and a handful of grimly determined investigators will definitely fix it this time. Definitely. Probably. Assuming the jet fuel budget holds.


CRIMENET confession: the criminals are the reason you’re here. The show knows it. You know it. NBC pretends not to.



Full Throttle, No Map, Engine Screaming in a School Zone

This season moves like a stolen car with a brick on the accelerator. Cases appear, explode, and vanish before you can ask basic questions like “how did they find this person” or “is geography optional now?”


Logic is treated like an optional DLC. Characters teleport across states. Breakthroughs happen because the script needs them. And every episode ends with the same energy as someone shouting “GO GO GO” without knowing where.


Is it dumb? Yes. Is it boring? Never. Is it confident in its stupidity? Gloriously.



Competent Faces Saying Incompetent Things With Conviction

Melissa Roxburgh’s Bex Henderson remains the human embodiment of “I haven’t slept but I’m still morally correct.” She’s intense, focused, and permanently two seconds away from explaining why rules don’t apply this time.


The supporting cast exists to:

  1. nod

  2. argue briefly

  3. follow her anyway


Everyone performs like their lives depend on this mission, which is admirable, because the writing absolutely does not.


No one is bad enough to be embarrassing. No one is good enough to be memorable. They are perfectly serviceable law-enforcement avatars, factory-issued and emotionally regulation-approved.



What If PowerPoint Slides Could Arrest You

The dialogue sounds like it was written by a committee locked in a government building with motivational posters.


Lots of declarations. Lots of urgency. Very little that resembles how humans speak when not being filmed.


People announce their emotions. They explain the plot to each other. They say things like “we don’t have much time” while clearly having enough time to argue about it.


Subtlety was questioned, arrested, and never seen again.



A Grim America Where Every Basement Apparently Hides a Monster

Season 2 insists that beneath every quiet town is at least one homicidal lunatic with a personal manifesto. America, according to this show, is less a country and more a large, lightly supervised escape room for serial killers.


The secret prison, The Pit, remains the show’s most interesting idea and its most underused one. A black-site nightmare full of the worst people imaginable… that mostly exists as backstory fuel rather than something the show is brave enough to truly explore.


Missed opportunity? Absolutely. Safer TV choice? Sadly, yes.


At this point you’ve accepted the rules don’t matter and jets appear on demand. Good. Lean into it.

“How to Lie with Statistics” by Darrell Huff – explains half the investigations on this show.



Filmed Like a Government Training Video on Panic

Visually, The Hunting Party looks exactly like what it is: an expensive network procedural that wants to feel dangerous without upsetting advertisers.


Everything is clean. Too clean. Crime scenes look professionally lit. Chases feel choreographed for insurance reasons. Even the darkness has been focus-grouped.


It’s slick. It’s competent. It’s never once unsettling in the way it desperately wants to be.



Music So Loud It’s Clearly Hiding the Writing

The score does a heroic amount of emotional heavy lifting. Tension ramps up whether it’s earned or not. Bass pulses tell you when to feel nervous, just in case the script forgot.


At times it works. At other times it feels like the show is shouting “THIS IS INTENSE” because it’s not entirely convinced you agree.



Good Guys, Bad Guys, and a Lot of Paperwork in Between

The show is obsessed with morality while accidentally undermining it at every turn.


Rules are sacred… until they aren’t. Procedure matters… unless it slows things down. Authority is righteous… as long as it’s the authority we like.


The criminals are monsters, yes. But the system chasing them often looks barely functional. CRIMENET takeaway: if this is what justice looks like, no wonder chaos keeps slipping the leash.



Ideal Background Noise While Planning Mild Crimes

This is premium binge fodder. Not because it’s deep, but because it’s consistent. You know exactly what you’re getting. High stakes, low reflection, and enough momentum to keep the next episode button glowing temptingly.


Perfect for late nights, laundry folding, or silently judging the characters’ decision-making skills.



Critics Screaming “No,” Viewers Whispering “One More Episode”

Season 2 exists because people keep watching. Not critics. People. The ones who enjoy fast plots, big threats, and the comforting illusion that someone, somewhere, has a plan.


NBC understands this audience perfectly. And as long as escaped killers keep boosting engagement, this hunt isn’t over.


You made it. Logic didn’t, but you did. Reward yourself accordingly.

Bourbon Whiskey Stones Gift Set – because shouting at the TV should feel classy.


Finish the night properly with our CRIMENET crime-TV reviews hub, where morality goes to die and binge-watching is encouraged.



FAQ

Is The Hunting Party Season 2 worth watching in 2026? Yes, if you enjoy competence theater and criminals doing all the heavy lifting.
Is it better than Season 1? It’s louder, faster, and equally allergic to nuance.
Does the show glorify cops? It tries. The criminals steal the spotlight anyway.
Is it realistic? Only if your definition of realism includes teleportation and inspirational briefings.
Will there be a Season 3? If people keep watching, absolutely. Logic is optional. Ratings are not.

 
 
 

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About Me
WhatsApp Image 2025-08-19 at 04.27.47.jpeg

I’m Niels Gys. Writer, gamer, and professional defender of fictional criminals. On screen only. Relax. I front JETBLACK SMILE, a rock ’n’ roll band from Belgium that sounds like bad decisions set to loud guitars. Turns out the mindset for writing about crime, chaos, and villain energy translates surprisingly well to music.

Here I run CRIMENET GAZETTE, a site dedicated to crime, heist, and villain-protagonist games, movies, and series. Not the wholesome kind. Not the heroic kind. The kind where you rob banks, make bad decisions, and enjoy every second of it.

CRIMENET exists because too much coverage is polite, bloodless, and terrified of having an opinion. Here, villains matter. Criminal fantasies are taken seriously. And mediocrity gets mocked without mercy.

I don’t do safe scores or corporate enthusiasm. I do sharp analysis, savage humor, and verdicts that feel like charge sheets. If something nails the fantasy of being dangerous, clever, or morally questionable, I’ll praise it. If it wastes your time, I’ll bury it.

CRIMENET isn’t neutral. It sides with chaos, competence, and fun.
Think less “trusted reviewer,” more “your inside man in the digital underworld.”

I’m not here to save the world.


I’m here to tell you which crimes are worth committing. 🤘

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