King Ivory Review – Crime, Chaos & Fentanyl in Tulsa

TL;DR

Like Breaking Bad had a hangover and tried to moralize its way out of it.

A crime epic so bleak it makes a morgue look like Disneyland — but at least the criminals still have style.

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Criminal Fantasy Fulfilment

Finally, a film brave enough to ask: “What if the War on Drugs… just kept going forever, but in Oklahoma?”King Ivory opens with cops, cartels, and addicts all trying to out-grit each other. Everyone sweats, everyone yells, and no one owns a toothbrush.

The good news? It’s one of the few crime flicks where you actually end up rooting for the felons — not because they’re cool, but because they’re at least interesting. The cops are so morally conflicted they could give Hamlet therapy, while the criminals get actual purpose: smuggle fentanyl, rule prison gangs, and look fantastic doing it.

You know you’re in the right place when the bad guys have better monologues than the cops have marriages.

Plot & Pacing

The story? Picture Traffic mixed with Oz, shot in a meat freezer. Cop Dad Layne West tries to stop a fentanyl flood while his son becomes one of the pipes. Add a Mexican cartel, an Irish mob, and a prison kingpin who makes Tony Soprano look like he teaches Sunday school.

It should be thrilling — but it occasionally moves with the urgency of a sloth writing a report on bureaucracy. Every subplot wants to be the plot, and halfway through you start cheering for fentanyl itself just to end the movie faster.

Characters & Performances

James Badge Dale plays the kind of cop who looks permanently one espresso away from a breakdown.

Ben Foster’s mob boss is so intense he could intimidate a microwave. And Michael Mando? He’s criminal charisma in human form — basically if charm had a switchblade.

Sadly, every woman in this movie looks like she’s had enough of men talking about “the job” and “the system.” Honestly, same.

Dialogue & Writing

Every line feels carved from the world’s most depressing police report. Nobody jokes, nobody flirts, nobody even eats. At one point you’ll find yourself yelling, “Could someone please just rob a bank and lighten the mood?”

There are flashes of brilliance — like when the film accidentally remembers humans have emotions — but then it dives straight back into a monologue about how “the streets don’t care.” Neither do we, mate.

World & Atmosphere

Tulsa, Oklahoma: a land so bleak even the tumbleweeds are on antidepressants. The world of King Ivory feels real, dirty, and utterly joyless. Every wall is peeling, every character’s soul is peeling, and the lighting is so grey you’ll start adjusting your TV settings.

It’s gritty, yes, but after two hours of grit, you’re just… itchy.

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Direction & Style

John Swab shoots it like he’s allergic to sunshine. The man clearly loves long takes of people glaring out car windows. It’s competent, even stylish at times — but by the end, you’ll crave a car chase or at least a cat video to remind you what joy feels like.

Soundtrack & Mood

Imagine country music’s sad cousin who dropped out of rehab. That’s the mood. There’s no swing, no rhythm — just a low hum of despair. You don’t tap your foot; you question your life choices.

Morality & Madness

The film wants to say “everyone’s corrupt,” but instead it feels like “everyone needs therapy.” Still, it does one thing right: it refuses to glorify the police. Finally, a crime movie that admits the real masterminds wear tattoos, not badges.

The moral seems to be: If you stare at fentanyl long enough, fentanyl stares back. Deep. Or maybe just depressing. Hard to tell.

Rewatchability

You’ll watch it once, appreciate the effort, then immediately Google “comedies about drug dealers” to cleanse your soul. It’s less rewatchable classic, more one-time controlled substance.

FAQ

Is King Ivory worth watching in 2025? Only if you’ve run out of antidepressants and want to understand why.

Who are we rooting for? The criminals, obviously. The cops look like they’d arrest their own happiness.

Does it glamorize drugs? No, it treats drugs the way accountants treat spreadsheets — necessary, dull, and occasionally fatal.

How violent is it? Enough to remind you it’s a crime film, not enough to wake your cat.

Can you watch it with your parents? Only if your parents are ex-cartel accountants.

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