Roofman (2025) Review – Channing Tatum’s Toy Store Crime Spree Is the Funniest Heist of the Year

TL;DR

Channing Tatum plays a man who literally cuts holes in McDonald’s roofs to rob them. It’s Ocean’s Eleven if Ocean worked the fryer and his getaway car was a tricycle from Toys “R” Us.

Roofman is Catch Me If You Can for people who shop at Walmart. A ridiculous, oddly touching story about a man, his crowbar, and a tragic misunderstanding of capitalism.

It’s flawed, yes — part romance, part crime doc, part IKEA nightmare — but it’s never boring. And in 2025, that’s a small cinematic miracle.

You’ll laugh, you’ll feel weirdly inspired, and you’ll never look at a McDonald’s ceiling the same way again.

Criminal Fantasy Fulfillment

There’s something weirdly satisfying about a movie that makes you root for a man who drops through fast-food ceilings like a deep-fried Batman. Roofman gives us Jeffrey Manchester — a broke ex-soldier who decides the golden arches would look better with ventilation holes and missing cash drawers.

This isn’t high-tech crime. It’s DIY villainy with a side of ketchup. The guy literally hid inside a toy store for months. That’s not a heist, that’s a childhood regression with felony charges. Yet somehow, you find yourself thinking, yeah, I’d probably do the same if the rent was that high.

Every scene makes crime look strangely comfy — rob a McDonald’s, grab a Happy Meal, take a nap in Barbie’s Dreamhouse. It’s the anti-corporate revenge fantasy we didn’t know we needed.

Plot & Pacing

The film starts strong: roof, hole, robbery, boom. Then comes the emotional bit — love, guilt, existential waffle — the cinematic equivalent of someone pulling the handbrake in a getaway car to talk about their feelings.

You can almost hear the director shouting, “Less shooting, more sensitivity!” It’s half true-crime, half Eat Pray Love for people who steal from Ronald McDonald.

Still, the story’s absurd enough to stay interesting. He robs, hides, falls in love, regrets it — basically every man’s midlife crisis, just with more police helicopters.

Characters & Performances

Channing Tatum actually acts here. Not dances, not growls, not flexes — acts. He plays Roofman as if Forrest Gump and Danny Ocean had a baby who never emotionally recovered from a Happy Meal toy shortage.

Kirsten Dunst appears as the love interest, radiating that “I can fix him” energy that always ends with someone in court. Peter Dinklage pops up too — because every morally grey film needs at least one person who looks like they’ve read the entire script twice and still disapproves.

It’s a solid cast. You just wish someone had told them this is supposed to be a crime movie, not a group therapy session sponsored by Hasbro.

Dialogue & Writing

The lines swing between “I’m an outlaw!” and “I just want to be loved,” which feels like watching Breaking Bad written by the Care Bears. At times, it’s funny — not laugh out loud funny, but “I see what you did there, now get back to the roof” funny.

There’s a bit of absurdist charm, too. Imagine explaining to your kid: “Daddy’s not at work, he’s under the toy aisle.” The writing leans into that surreal comedy of a man trying to balance romance with felony trespassing.

World & Atmosphere

You’ve got McDonald’s rooftops, fluorescent toy aisles, and the constant hum of capitalism waiting to be robbed. It’s America distilled into one man’s crisis: fries, toys, and delusion.

Visually, it’s surprisingly pretty — all those neon toy aisles give it a dreamlike sheen, like Drive but sponsored by Fisher-Price. You can practically smell the plastic and guilt.

It’s not gritty; it’s glossy grime. The kind of film where crime looks less like a sin and more like a lifestyle choice.

Direction & Style

Derek Cianfrance directs this thing like he’s been forced to teach empathy at gunpoint. The man who gave us Blue Valentine turns his melancholy lens on a dude living in a toy store. And it weirdly works.

There’s a tenderness to it — but not too much. Just enough to make you think, “I could live in aisle 7 too.” The tone flips between true-crime realism and late-night fever dream, which somehow keeps you hooked even when nothing’s happening.

Soundtrack & Mood

It hums along with gentle melancholy and the occasional ironic jingle. You half expect a slow jazz version of “I’m Lovin’ It” to play over the credits.

The music fits the mood — lonely, reflective, and slightly ridiculous. Like a karaoke night for people who steal Ronald’s cash register.

Morality & Madness

Roofman isn’t about right or wrong. It’s about what happens when the wrong guy figures out the right way to enter a McDonald’s — from above. The movie tries to moralize, sure, but the audience is too busy thinking, this guy survived six months in a toy store; he’s basically a legend.

It gently suggests that poverty makes you creative — or at least great at duct-taping ceiling tiles.

Still, there’s a thin moral thread running through it: maybe crime doesn’t pay, but at least it provides decent cardio.

Rewatchability

Once you’ve seen a man hide in the walls of a toy store, you can’t unsee it. It’s not the kind of film you watch twice because it’s deep; you rewatch it because you still can’t believe it’s real.

It’s oddly heartwarming for a movie about burglary — which is basically like saying The Godfather was a nice family film.

Where to Watch or Buy Roofman (2025)

Crime doesn’t pay — but affiliate links do.

• 💿 Buy Roofman in 4K Blu-ray or DVD – Amazon link →

• 🎬 Rent or stream on Prime Video – Prime Video link →

• 🏴‍☠️ Other options? Check your local underworld… or legitimate retailers, whatever keeps the cops calm.

(Affiliate disclosure: CRIMENET may earn a small cut from these links — the same way Roofman earned his, minus the roof holes.)

FAQ

Is Roofman worth watching in 2025? Absolutely — it’s the only film where a Big Mac and an existential crisis share a frame.

Is this a comedy or a crime drama? Both. Think Heat directed by someone who shops exclusively at Target.

Does Channing Tatum really live in a toy store? Yes. And he’s the most relatable he’s ever been.

Is this movie deep? Only as deep as the hole he cut in the roof.

Will it make me question capitalism? No, but it’ll make you question your next McNugget.

FINAL WORD: Roofman proves that even when you hit rock bottom, you can always go through the roof.