top of page

Stolen: Heist of the Century Review: The Perfect Crime, Ruined by a Bag of Rubbish

Writer: Niels Gys
Niels Gys
4 hours ago
5 min read

Netflix revisits the Antwerp diamond heist, where a gang of criminal masterminds defeated a fortress, stole a fortune and apparently forgot how rubbish works.


In February 2003, a gang of thieves looked at one of the world's most heavily protected diamond vaults and decided its contents would look considerably better in their pockets. They pulled off an extraordinary robbery, escaped with a fortune and then helped the police identify suspects through discarded rubbish. Netflix's Stolen: Heist of the Century revisits this glorious collision of criminal genius and monumental stupidity. CRIMENET's verdict is that it's a cracking heist story, although its cinematic storytelling sometimes seems more interested in polishing the thieves' legend than questioning it.



Enjoy watching supposedly brilliant criminals make spectacularly terrible decisions? Our Collision Course review tackles another Netflix robbery where the thieves have more secrets than common sense.



The Diamond Heist That Deserved a Better Getaway

The Antwerp Diamond Center wasn't some provincial jeweller's where security consisted of a bell above the door and a pensioner called Roger. Its underground vault had multiple security systems, and the thieves spent considerable time preparing their operation. In February 2003, they emptied 109 safe-deposit boxes, making off with valuables commonly estimated at around $100 million, although the precise amount remains disputed.


This is the kind of criminal ingenuity CRIMENET exists to appreciate. Someone examined a formidable security system, identified its weaknesses and assembled a plan to exploit them. No theatrical shouting, no waving firearms around like an angry toddler with a toy. Just preparation, audacity and a spectacular result.


Unfortunately, the getaway appears to have been organised by an entirely different department of the human brain. Investigators recovered discarded material near a motorway, including evidence connecting suspects to the robbery. Imagine defeating an elaborate underground vault, escaping with an enormous fortune and then being undone by rubbish. It's the criminal equivalent of winning Le Mans and crashing into your own garage because you forgot where the brake pedal was.


For all that planning, somebody apparently forgot the rather elementary principle that incriminating evidence shouldn't be left where investigators can find it. The vault required considerable ingenuity to defeat. Disposing of the evidence required a bin bag and some common sense. One of those challenges proved surprisingly difficult.



Leonardo Notarbartolo: Criminal Mastermind or Master Storyteller?

Convicted participant Leonardo Notarbartolo is one of the documentary's central figures, and he has quite a story. Mysterious arrangements, disputed motives and allegations of a hidden mastermind make an already extraordinary robbery sound even more elaborate. Naturally, we're interested. A diamond thief explaining how he helped defeat a supposedly impregnable vault is considerably more entertaining than another detective solemnly announcing that crime doesn't pay.


But significant elements of Notarbartolo's account have been challenged. The Columbia Journalism Review examined discrepancies in earlier reporting, while Flawless co-author Scott Selby has questioned particular details of his explanations. That doesn't automatically make his version false. It makes it contested, which is precisely where a documentary should start asking harder questions.


We don't object to criminals becoming legends. Quite the opposite. But there's a difference between earning a reputation through extraordinary ingenuity and building one through an exceptionally enthusiastic account of your own achievements. A thief who can steal diamonds is impressive. A thief who can convince the world to accept his preferred version of events decades later might have discovered an even more valuable talent.


Surveillance-style room with lockers, a person in white suit photographing a floor covered in scattered clothes and boxes.

If Antwerp's diamond thieves seemed suspiciously clever, meet a gentleman thief who's apparently stopped obeying the laws of physics. Our Lupin Part 4 review asks when criminal genius becomes complete bloody nonsense.



When True Crime Starts Dressing Like Ocean's Eleven

Community reactions reveal a divide over the documentary's presentation. Some viewers praise its dramatic reconstructions, cinematography and competing interviews. Others criticise the polished editing, intrusive reenactments and unanswered questions. Both reactions point towards the same creative decision: Stolen wants the robbery to be entertaining.


And why wouldn't it? An underground vault, professional thieves and millions in diamonds practically demand cinematic treatment. Nobody watches a diamond heist documentary hoping for 95 minutes of a Belgian insurance assessor examining paperwork.


But dramatic reconstruction can make disputed testimony look like established fact. Give an allegation enough atmospheric lighting and ominous music, and suddenly it resembles something the audience witnessed rather than something a convicted criminal claimed. The issue isn't whether reenactments belong in documentaries. It's whether the film distinguishes reconstructed facts from reconstructed allegations.


If the operation was genuinely brilliant, show us why. If somebody's story doesn't add up, expose the cracks. That's far more interesting than allowing cinematic polish to do the heavy lifting for a criminal's reputation.



Brilliant Criminals, Real Victims

The Antwerp robbery also carries a complication that its mythology sometimes makes conveniently invisible. Independent reporting describes smaller diamond traders suffering serious financial losses, including people without adequate insurance. These weren't all billionaires who misplaced a little pocket change.


Dutch outlet VPRO Cinema criticised the documentary for giving insufficient attention to victims, while other critics considered its treatment of the supposedly victimless robbery more satisfactory. CRIMENET can admire an audacious criminal operation without pretending everyone affected was wealthy enough to shrug it off. The consequences are part of the story, not an inconvenient interruption to the entertainment.



Verdict: The Robbery Was Brilliant. The Legend Needs Questioning.

The most fascinating question surrounding the Antwerp diamond heist may no longer be how the thieves defeated the vault. It may be how much of the story told afterwards was designed to protect reputations, conceal other participants or turn a convicted criminal into an enduring legend.


Stolen: Heist of the Century is an appealing proposition for anyone fascinated by elaborate robberies, criminal ingenuity and spectacular failures of common sense. Its documented reception supports its entertainment value while raising legitimate concerns about disputed testimony and cinematic reconstruction.


We came for the criminal brilliance, not a complimentary polishing service for somebody's autobiography. The Antwerp thieves defeated an elaborate vault security system, only for discarded rubbish to help bring them down. That alone is magnificent criminal history. Netflix didn't need to make the legend bigger. It needed to find out how much of it survived contact with the truth.


Grainy CCTV view of a man in a dark hoodie on a stairwell, looking up with a tense expression.

Still rooting for the criminals? Excellent. Explore CRIMENET's Crime Movies & Series for more heists, gangsters, betrayals and criminal masterminds whose greatest enemy is frequently their own stupidity.



Stolen: Heist of the Century FAQ

Is Stolen: Heist of the Century based on a true story?

Yes. The documentary covers the February 2003 Antwerp Diamond Center robbery, when thieves emptied 109 safe-deposit boxes. Some details remain disputed.


Who was behind the Antwerp diamond heist?

Leonardo Notarbartolo was convicted for his involvement. His claims about a mysterious mastermind have not been independently established.


How much was stolen?

The robbery is commonly valued at approximately $100 million, although estimates vary. Much of the stolen property remains unrecovered.


Is Stolen: Heist of the Century worth watching?

Yes, especially if you enjoy audacious robberies, elaborate criminal planning and spectacular failures of common sense. Just remember that a convicted thief telling a brilliant story isn't necessarily telling the whole truth.

 
 
 

Comments


About the Editor
Naamloos3.png

I'm Niels Gys, founder and editor of CRIMENET GAZETTE. I write about crime games, heists, playable villains, and crime films and television because somebody has to separate criminal masterpieces from productions that couldn't organise a successful mugging.

​

​Outside the website, I'm the frontman of JETBLACK SMILE, a Belgian rock 'n' roll band that sounds like bad decisions played through loud guitars. Turns out writing about chaos, criminals, and morally questionable life choices isn't all that different from writing songs.

​

I started CRIMENET because too much gaming coverage feels afraid to have an opinion. Reviews become press releases, every game is "solid," and somehow everyone leaves happy except the reader.

​

Not here.

​

CRIMENET covers crime games, heists, playable villains, and crime films and television. We follow the criminals, the masterminds, the betrayals, and the magnificent disasters that follow when somebody decides the law is more of a suggestion. Horror gets a seat at the table when its monsters, murderers, or playable villains belong in our particular corner of the underworld.​

​

I don't do review scores. The internet already has enough people arguing whether a game deserves a 72 instead of a 71, like they're negotiating a hostage release over a single percentage point. I'd rather tell you what the game actually feels like to play and whether it's worth your time.

​

Every article is built on research, evidence, and an unhealthy intolerance for mediocre game design.

 

Strong opinions are welcome. Invented facts are not.

​

Think less "trusted reviewer."

​

More "your inside man in the digital underworld."

​

I'm not here to save the world.

​

I'm here to tell you which crimes are worth committing. 🤘

THIS WEEK
IN CRIME.

Weekly briefings on crime games, villains, heists, industry disasters, and digital chaos.

​

No corporate fluff. No fake hype. Just the underworld report.

© 2026 CRIMENET Gazette

Independent. Evidence-based. No paid review scores.


WHY TRUST CRIMENET?


About | Editorial Policy | Privacy Policy | Cookie Policy | Affiliate Disclosure | Terms | Corrections | Contact

bottom of page