Is Lupin Part 4 worth watching? Bigger heists, absurd escapes and Omar Sy's charm divide viewers. Has Netflix traded criminal genius for superhero nonsense?

Jodie Foster hunts a suspicious death in Paris. Critics swoon, audiences squint. Stylish, slow, and about as dangerous as a scented candle.

Netflix serves a crime film so stylish it forgets to commit actual crimes. The Big Fake looks dangerous, then apologizes for it.

A crime thriller that runs nonstop, thinks deeply about nothing, and treats cops like saints with guns. CRIMENET review pulls no punches.

Netflix’s The Rip is a savage crime thriller about crooked cops, bad decisions, and too much cash. Loud, messy, funny, and gloriously immoral.

A savage CRIMENET review of Thunderheart: FBI incompetence, conspiracy soup, moral decay, and a 90s crime thriller that bites harder than expected.

A savage CRIMENET review of Cruising (1980). Undercover cops, leather bars, moral panic, and a crime thriller that gleefully loses its mind.

A savage CRIMENET review of Space/Time: disgraced scientists, criminal ambition, stolen physics, and a sci-fi heist that punches reality in the teeth.

A savage CRIMENET review of The Mechanic (1972): Charles Bronson turns assassination into a calm, methodical art form with zero morals and zero mercy.

TL;DR Two outlaws, a bag of guns, and enough missed potential to arm a small nation. Jack & Ava isn’t awful. Which is somehow worse. It has the ingredients for a proper outlaw fever dream but assembles them like someone afraid of seasoning. The cops are idiots, the criminals are undercooked, and the danger never quite bites. A crime film that should snarl but mostly clears its throat. If you’re desperate for indie crime with lovers, guns, and a pulse, you could do worse. You

Oscar Shaw wants to be a brutal crime revenge movie but keeps apologizing. A savage CRIMENET review roasting cops, morals, and half-baked grit.

John Woo’s Bullet in the Head is a savage crime tragedy about loyalty, war, and bad choices. No heroes. No mercy. Just regret and blood.

A savage CRIMENET review of Nobody Wants to Shoot a Woman. Gritty Brooklyn noir, feral motherhood, no saints, no apologies, no mercy.

Barron’s Cove is a savage crime thriller where grief turns criminal and the justice system collapses. Darkly funny, morally filthy, and uncomfortably satisfying.

A savage CRIMENET review of Breakdown (1997), where the desert lies, truckers grin, and Kurt Russell learns the law is optional.

Netflix’s Raat Akeli Hai: The Bansal Murders is a gritty Indian crime thriller with killer acting, filthy secrets, and pacing slow enough to need coffee.

Paul Thomas Anderson’s One Battle After Another turns DiCaprio loose in a gritty, explosive rebel drama about family, vengeance and beautiful chaos.

A savage, funny CRIMENET takedown of Revenge of the Pink Panther. Peter Sellers trips through crime, nostalgia, and jokes that aged… questionably.

A savage CRIMENET rant on The Pink Panther Strikes Again. Global crime collapses under Clouseau’s incompetence in this loud, idiotic comedy classic.

A savage CRIMENET review of A Shot in the Dark (1964). Peter Sellers turns police work into slapstick sabotage in this gloriously incompetent crime classic.

A savage CRIMENET review of The Pink Panther (1963): a classy jewel heist derailed by elite criminals and the dumbest cop ever put in a suit.

The Four Horsemen return for another shiny crime caper. Expect tricks, chaos, and zero logic in Now You See Me: Now You Don’t (2025) — reviewed with venom.

A savage CRIMENET review of Thieves Highway (2025). Dull criminals, safe violence, zero swagger. A crime thriller that forgets to thrill.

A priest sweating bullets, a murder in a church, and Benoit Blanc solving crimes like he's late for brunch. Dark, funny, stylish, and gloriously unhinged.

A savage, darkly funny dive into Mumbai’s underworld where crime equals survival. Brutal, human, unforgettable — the anti-feelgood classic you can’t shake.

A savage, funny crime review of Catch Me If You Can. DiCaprio turns fraud into high art while the FBI sweats. Smart, stylish, endlessly rewatchable criminal bliss.

Channing Tatum robs McDonald’s roofs and hides in a toy store in Roofman — a hilarious, heartfelt crime caper that proves capitalism breeds creativity.

Under Current is a sleek Hong Kong crime mystery where rich elites crack under pressure. A stylish, slow-burn thriller filled with secrets, greed, and quiet corruption.

A raw, scrappy South Philly crime tale fueled by grief, rage, and terrible decisions. Gritty, loud, uneven, and gripping—exactly the kind of chaos CRIMENET loves.

Hunting Season (2025) is a gritty Mel Gibson revenge thriller where the cartel gets fed through a wood chipper. Our brutal, funny CRIMENET review pulls no punches.

A savage, hilarious CRIMENET review of Kill Bill: The Whole Bloody Affair — Tarantino’s ultimate revenge cut packed with style, carnage, and criminal swagger.

A sweaty, paranoid Brazilian thriller that swings between brilliant tension and “sir… you’ve been staring at that wall for 11 minutes.”

A savage, darkly funny retrospective on The Boys Next Door (1986) — a nihilistic crime spiral with Charlie Sheen in pure feral mode. Shocking, uneven, unforgettable.

Blood Star delivers a brutal desert chase between a thief fighting to survive and a sheriff who’s one sunstroke away from total madness. Sweaty, tense, vicious.

A sharp, stylish Korean crime thriller where a retired assassin proves age is the deadliest weapon. Darkly funny, gritty, and perfect for fans of brutal elegance.

A tense, gritty crime thriller where two broken cops chase a ghost and their own unraveling sanity. Dark, stylish, and sharp enough to leave moral bruises.

A wickedly funny, HUMO-style CRIMENET review of After the Hunt — a slow, elegant implosion of egos, lies, and academic guilt. No spoilers, plenty of bite.

A darkly funny, villain-tilted review of Netflix’s The Carman Family Deaths — a true-crime documentary where the sea swallows a boat, money swallows a family, and we swallow the urge to shout “HE DEFINITELY DID IT!” at the TV.

A Better Tomorrow Trilogy is the grandfather of cool crime cinema: explosive, dramatic, and full of men processing their feelings with bullets instead of therapy.

A savage, funny crime-lover’s review of Pulp Fiction — why this 1994 classic still humiliates modern movies with its swagger, chaos, and criminal charisma.

Two friends, one corpse, and zero plan. Bunny (2025) turns a tenement cover-up into chaotic, laugh-out-loud crime mayhem that’s as grimy as it is brilliant.

Bob Odenkirk trades beach vibes for bloodstains in Nobody 2 — a violent, hilarious sequel where midlife crisis meets mayhem and no one leaves the pool alive.

A brutal dive into Tulsa’s fentanyl underworld — King Ivory serves grit, guns, and guilt in equal doses. No heroes, no hope, just crime done cold.

Oliver Stone’s Snowden turns one of history’s biggest leaks into a slow-burn lecture. A thriller for people who whisper their passwords at home.

Ed Kemper (2025) turns true crime into awkward therapy. A grim, low-budget dive into madness, mother problems, and cinematic misery.

Nine Luc Besson classics restored in 4K — from hitmen to cosmic cab drivers. It’s stylish, chaotic, and unapologetically insane. A must for crime and chaos lovers.

CRIMENET reviews Mad Foxes (1981): a garish ride through rape-revenge, Nazi bikers, and gratuitous violence that makes even trash cinema blush.

CRIMENET drills into The Devil’s Rejects — violent, unapologetic, and drenched in outlaw swagger. Horror meets crime-thriller in a saucer of blood.

CRIMENET reviews Alfred Hitchcock: The Ultimate Collection (1942–1976) — fifteen films of murder, paranoia, and posh psychos, restored beautifully and incompetently at the same time.

CRIMENET reviews Mob War: Philadelphia vs. The Mafia — a savage, testosterone-soaked true-crime docu-series where the crooks get the limelight and the badge-wavers get laughed out of the room.